God Save the King (1977)

Two punk musicians are interviewed by a rock journalist in this early student film by Tom DiCillo. Shot on 16mm as his first sync-sound project at NYU, the film draws on the emerging punk scene of the late 1970s, including material filmed at CBGB. The work was later re-edited and preserved as a print used to support DiCillo’s early career development.

Production

Whisper